Hunter Drohojowska-Philp
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About
Writings
Books
Catalogues
Articles
Radio
KCRW
KUSC
Artscene Visual Radio
Videos
Press
Contact
Arts Roundup ’84
June 29, 1984
Artist William Wiley recognizes no limitations
March 17, 1984
Whistler etchings come to LACMA
March 17, 1984
Welcome to L.A.
March 17, 1984
Walter Hopps
March 17, 1984
The Official Video Art of the Olympics?
March 17, 1984
The Ultimate Ironic Time
March 17, 1984
Tony DeLap design wins Gateway competition
March 17, 1984
And Now: The New Apocalypse
March 17, 1984
“The First Show”: Museum of Contemporary Art
March 17, 1984
Suzanne Lacy: Transformation on the Beach
March 17, 1984
Transitional Use: A Suburban Exhibition
March 17, 1984
Steven Arnold: Artist translates dreams into photographs
March 17, 1984
Scottsdale paradise: for snowbirds and suburban cowboys
March 17, 1984
Sandro Chia at the James Corcoran Gallery
March 17, 1984
Samizdat Art: Initiating a Conversation Between Countries
March 17, 1984
The “Spectacles” of Robert Longo
March 17, 1984
L.A.’s official Olympic man of bronze
March 17, 1984
Richard Jackson and his ‘Big Ideals’ move beyond the limits of canvas
March 17, 1984
Printmaking
March 17, 1984
An exhibit to lift your post-Olympic spirits
March 17, 1984
Philip Garner in conversation with Hunter Drohojowska
March 17, 1984
Peter Shire designing ‘theatrical environment’ for the Olympics
March 17, 1984
Playboy illustrator Patrick Nagel dies
March 17, 1984
Palevsky vs. MOCA: Battle Continues
March 17, 1984
Pioneer sets a new PACE and the arts world on its ear
March 17, 1984
Murals make it off the street
March 17, 1984
Olympic Arts Diary: Trouble right here in disco city
March 17, 1984
Obsessions with symbols, cliche, and technology
March 17, 1984
Neo York: report on a phenomenon
March 17, 1984
NEA suspends critics’ fellowship program
March 17, 1984
NEA survey shows bright cultural picture
March 17, 1984
MoCA gears up for exhibit of rare autos
March 17, 1984
MoCA to publish quarterly designed by guest artists
March 17, 1984
It’s definite: MoCA buys Panza Art
March 17, 1984
MOCA: First the good news…
March 17, 1984
MOCA negotiating for collection of contemporary art from Panza
March 17, 1984
Artsy crowd joins Hollywood
March 17, 1984
Mitchell Syrop at the Richard Kuhlenschmidt Gallery
March 17, 1984
Michael Bidlo and Lari Pittman: ArtNews
March 17, 1984
Max Yavno’s camera never gets in the way of his art
March 16, 1984
A museum without walls in La Jolla
March 16, 1984
Margo Leavin’s “mini MOCA”
March 16, 1984
Margaret Nielsen and Leon Kossoff
March 16, 1984
Making art, and money, in East Village
March 16, 1984
Magdalena Abakanowicz at UCLA and Claremont
March 16, 1984
Out of shortages and hardship, Polish artist weaves work rich in implication
March 16, 1984
Why, the art is so lifelike in Laguna
March 16, 1984
Levine’s one artist who gets his message across
March 16, 1984
Laurie Anderson’s Twilight Zone Sensibility
March 16, 1984
Photographer Larry Clark turned failed life into art
March 16, 1984
Taking refuge in the beauties of Lake Tahoe
March 16, 1984
LACMA art loan sparks controversy
March 16, 1984
LACE feels left out of Olympic festival
March 16, 1984
L.A. firms also involved in Getty Brentwood project
March 16, 1984
Judy Pfaff’s sensurround landscapes
March 16, 1984
John Miller at the Rosamund Felsen Gallery
March 16, 1984
John Baldessari’s Conceptual Art
March 16, 1984
For Joan Mondale, art and politics are inseparable
March 16, 1984
Jerry Brown’s official portrait
March 16, 1984
Life out of sync with valley-guy artist Vallance
March 16, 1984
Jane Golden’s mural off the wall in Santa Monica
March 16, 1984
Exhibit reintroduces L.A. to an artist
March 16, 1984
Galleries swept by winter flood of first-rate work
March 16, 1984
Two galleries want to change the way we think about art
March 16, 1984
Exhibition shows of furniture that functions as fine art
March 16, 1984
First Newport Biennial, 1984: Los Angeles Today
March 16, 1984
First Los Angeles Exclusive
March 16, 1984
Fanny Brice’s son is an artist’s artist
March 16, 1984
“Emblem” at LACE
March 16, 1984
No daydreaming for impresario Elizabeth Freeman
March 16, 1984
Eli Broad engineered a cultural legacy
March 16, 1984
The Crocodile Tears of Douglas Huebler
March 16, 1984
Donald Lipski’s career in sculpture moves full steam ahead
March 16, 1984
Two arts intermingle in “Cameraworks?
March 16, 1984
Arists the critics are watching
March 16, 1984
County Museum breaks ground for new gallery
March 16, 1984
Artists take over Cotton Exchange for major show
March 16, 1984
Impressions of Claude Monet’s life
March 16, 1984
‘Carplays’ will steer a course through our obsession with the automobile
March 16, 1984
A happy hooker goes on stage
March 16, 1984
California to gain access to Smithsonian art archives
March 16, 1984
California Photography 1945-1980 at the Municipal Art Gallery
March 16, 1984
An ancient Japanese art leaves home
March 16, 1984
Nude Brooke Shields photo becomes art
March 16, 1984
Angry women’s sci-fi in “Born in Flames”
March 16, 1984
Will big business fund the arts?
March 16, 1984
One artist’s unique memorial to her mother
March 16, 1984
Art News
March 16, 1984
Art by any name makes a good gift
March 16, 1984
Art and Antiques ready for March debut
March 16, 1984
Arco exec to replace MoCA’s Broad
March 16, 1984
Arco art center’s alive and going native
March 16, 1984
“Aqui” at USC
March 16, 1984
Allan McCollom at the Richard Kuhlenschmidt Gallery
March 16, 1984
AFI Festival explores the evolution of video
March 16, 1984
Childhood is revisited in ‘Beijing’
March 16, 1984