Hunter Drohojowska-Philp
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About
Writings
Books
Catalogues
Articles
Radio
KCRW
KUSC
Artscene Visual Radio
Videos
Press
Contact
Art
Local Jr. High students are building towers the Rodia way
Derby lore for fans consigned to TV
TV Plans Extensive Coverage of Bitburg
Allen Ruppersberg: Escape Artist
This movie director’s ideas are cast in clay
Passion for art fulfilled in Houston
L.A. Art Seen: March 8-14 1985
Jamaican Intuitions
The renaissance of Artforum at the hands of a 27 year old
Too much TV never harmed Ilene Segalove
L.A. Art Seen: Feb 15-21 1985
Count Panza’s “Classic Art” earns raves at gala MOCA reception
When is “Appropriation Appropriate?”
In These Times: Leon Golub
Moviemaker’s touch the Wright stuff
A Passion for Helmut Newtons Photos
Lawyers and Lofts
L.A. Art Seen
Leon Golub Explains It All For You
Artist’s audience grows by 35 million thanks to ‘Cosby’
LAVA’s making downtown hot this weekend
Renegade artist Brian Murphy has designs on Los Angeles
Opportunity knocks, so Loyola dean quits
Surls carves wood in his own image
A tribute to the “Greeks of the New World”
The Prize: $3,000 and a place in LACMA’s Permanent Collection
Tony Duquette’s Jungle
Arts Roundup ’84
Artist William Wiley recognizes no limitations
Whistler etchings come to LACMA
Welcome to L.A.
Walter Hopps
The Official Video Art of the Olympics?
The Ultimate Ironic Time
Tony DeLap design wins Gateway competition
And Now: The New Apocalypse
“The First Show”: Museum of Contemporary Art
Suzanne Lacy: Transformation on the Beach
Transitional Use: A Suburban Exhibition
Steven Arnold: Artist translates dreams into photographs
Sandro Chia at the James Corcoran Gallery
Samizdat Art: Initiating a Conversation Between Countries
The “Spectacles” of Robert Longo
L.A.’s official Olympic man of bronze
Richard Jackson and his ‘Big Ideals’ move beyond the limits of canvas
Printmaking
An exhibit to lift your post-Olympic spirits
Philip Garner in conversation with Hunter Drohojowska
Peter Shire designing ‘theatrical environment’ for the Olympics
Playboy illustrator Patrick Nagel dies
Palevsky vs. MOCA: Battle Continues
Pioneer sets a new PACE and the arts world on its ear
Murals make it off the street
Olympic Arts Diary: Trouble right here in disco city
Obsessions with symbols, cliche, and technology
Neo York: report on a phenomenon
NEA suspends critics’ fellowship program
NEA survey shows bright cultural picture
MoCA gears up for exhibit of rare autos
MoCA to publish quarterly designed by guest artists
It’s definite: MoCA buys Panza Art
MOCA: First the good news…
MOCA negotiating for collection of contemporary art from Panza
Artsy crowd joins Hollywood
Mitchell Syrop at the Richard Kuhlenschmidt Gallery
Michael Bidlo and Lari Pittman: ArtNews
Max Yavno’s camera never gets in the way of his art
A museum without walls in La Jolla
Margo Leavin’s “mini MOCA”
Margaret Nielsen and Leon Kossoff
Making art, and money, in East Village
Magdalena Abakanowicz at UCLA and Claremont
Out of shortages and hardship, Polish artist weaves work rich in implication
Why, the art is so lifelike in Laguna
Levine’s one artist who gets his message across
Laurie Anderson’s Twilight Zone Sensibility
Photographer Larry Clark turned failed life into art
LACMA art loan sparks controversy
LACE feels left out of Olympic festival
L.A. firms also involved in Getty Brentwood project
Judy Pfaff’s sensurround landscapes
John Miller at the Rosamund Felsen Gallery
John Baldessari’s Conceptual Art
For Joan Mondale, art and politics are inseparable
Jerry Brown’s official portrait
Life out of sync with valley-guy artist Vallance
Jane Golden’s mural off the wall in Santa Monica
Exhibit reintroduces L.A. to an artist
Galleries swept by winter flood of first-rate work
Two galleries want to change the way we think about art
Exhibition shows of furniture that functions as fine art
First Newport Biennial, 1984: Los Angeles Today
First Los Angeles Exclusive
Fanny Brice’s son is an artist’s artist
“Emblem” at LACE
No daydreaming for impresario Elizabeth Freeman
Eli Broad engineered a cultural legacy
The Crocodile Tears of Douglas Huebler
Donald Lipski’s career in sculpture moves full steam ahead
Two arts intermingle in “Cameraworks?