Articles

  • Western Interiors and Design
  • View
  • ‘A Minimal Future? Art as Object 1958-1968
  • View
  • Third Time’s a Charm
  • View
  • Andy Warhol’s Homecoming
  • View
  • Allen Ruppersberg: His never-ending story
  • View
  • Barbara Kruger: The Aphorist
  • View
  • ACME and the Resurrection Of the Miracle Mile- The Connoisseur’s Guide to Los Angeles
  • View
  • A Corvette Tour of Palm Springs: Brad Dunning
  • View
  • His Specialty: One-Liners
  • View
  • Reshaping an Ancient Legacy
  • View
  • Is L.A. Ready for the 19th Century?
  • View
  • Craig Kauffman: Back to the Drawing Board
  • View
  • Jorge Pardo: Welcome to the House That Jorge Built
  • View
  • Mexico’s Hacienda de San Antonio
  • View
  • L.A. Story: Auctions Expand
  • View
  • Arthur Dove Finally Takes Wing
  • View
  • L.A. Confidential: Frank K. Pennino Share His Inside Sources
  • Deer Valley Orientalism
  • View
  • John Divola: A Photographic Style in Development
  • View
  • Raul Guerrero: Social Studies, With a Twist
  • View
  • Liz Larner: She’s Back. But She’s Never Been Away…
  • View
  • Paul Strand: Modern Convert
  • View
  • Emerson Woelffer: The Master of L.A. Modernism
  • View
  • Michael Gonzalez: He’s Struck by the Wonder of It All
  • View
  • Keith Sklar: History Embedded in the Paint
  • View
  • Michael Goldberg: A Life in the Abstract
  • View
  • Carol Eliel: A New Kind of Body Language
  • View
  • Alexis Smith: A Taste for Mischief
  • View
  • Scott Grieger: This Time, the Joke Is On Us
  • View
  • Santa Fe Trailblazing
  • View
  • Victor Estrada: Welcome to Dr. Estrada’s Odd Island
  • View
  • Manny Silverman for Art and Auction
  • View
  • The Getty Center Decorative Arts Galleries
  • View
  • Peter Shelton: A Welder of Metal and Fervid Imaginings
  • View
  • L.A. Dealers Go International
  • View
  • The Lady of the Castle Caroompas
  • View
  • Bill Viola: His Camera Never Blinks
  • View
  • Bill Viola: The Self-Discovery Channel
  • View
  • American Beauties in Essex
  • View
  • Roy Dowell at Margo Leavin
  • View
  • Zakanitch at Patricia Faure
  • View
  • Robert Rahway Zakanitch: Keeping His Aye on the Big Picture
  • View
  • Cultivating Malibu
  • View
  • Crowned Beds of Europe
  • View
  • Tim Ebner: Forget Fiberglass– Canvas Means Romance
  • View
  • Bringing Art to Life
  • View
  • Absolut – LA International
  • View
  • Michal Rovner: From Dislocation, Artistic Direction
  • View
  • Embracing Emotion: ‘Nosegays and Knuckle Sandwiches’ Retrospective Reveals how Thomas Woodruff Makes an Impact
  • View
  • Rev. Ethan Acres: A Preacher’s Art of Spreading the Word
  • View
  • Barry Sloane: At the Edge
  • View
  • Mary Beyt: Brining New Definition to Abstraction
  • View
  • Finding Their Muse
  • View
  • Martin Kersels: He Likes to Throw His Weight Around
  • View
  • Montecito Make-Over
  • View
  • Joe Goode: Abstraction is in his Nature
  • View
  • Chris Finley: Finding Connections to Virtual Reality
  • View
  • Todd Gray: ‘I Tawt I Taw a !#*?!’
  • View
  • A Victorian Holiday
  • View
  • Jennifer Pastor: Turning Over a Brighter Leaf
  • View
  • RubĂ©n Ortiz-Torres: Cultural perversity
  • View
  • Don Bachardy, the Artful Impersonator
  • View
  • Lari Pittman: Art about Life
  • View
  • Santa Barbara Selections: Bruce Gregga’s Favorite Finds in the Area
  • View
  • Tim Hawkinson: A Tinkerer’s Damnedest
  • View
  • Ed Moses in Venice: Evolution of the Artist’s Home and Studio
  • View
  • Historic Neighborhood: Whitley Heights
  • View
  • INSPIRATION POINTS: Places where you can still see the scenes that fired the imaginations of visionary artists: CEZANE’S AIX-EN-PROVENCE
  • View
  • A Contemporary Edge: Kinetic Composition for a Los Angeles Collector
  • View
  • Karen Carson: Getting to the Heart of Life
  • View
  • Jennifer Steinkamp: Awash in a Dance of Colors
  • View
  • Manolo Mestre: Hands-On Architect
  • View
  • Architectural Digest Revisits: Georgia O’Keeffe
  • View
  • Can You Dig It?: LACMA’s ‘American Discovery of Ancient Egypt’
  • View
  • Stieglitz, in Sharp Focus
  • View
  • Jean Milant: Prints of the City
  • View
  • Margo Leavin Gallery: Still Making Things Happen
  • View
  • Ruben D. Ortiz-Torres: When Worlds Collide
  • View
  • The Earliest Feminists: An exhibition at the Getty Museum
  • View
  • Constantin Brancusi Retrospective in Paris
  • View
  • Jeffrey Vallance: An Artist Goes to Sea (And Other Stories)
  • View
  • Redemption in Santa Monica: A California Tract House Finds New Life
  • View
  • David Jones in West Hollywood
  • View
  • Rancho Ruscha: The Artist’s Los Angeles Residence
  • View
  • R. B. Kitaj: Master of the Arcane
  • View
  • Sydney and Audrey Irmas: Collecting with a Visionary ‘I’
  • View
  • Ann Hamilton: It Ain’t Needlepoint
  • View
  • Joyce Lightbody’s Work Rises Up From the Ashes
  • View
  • Western European: A Floral Designer’s Los Angeles Apartment
  • View
  • And When They Were Bad…
  • View
  • Jim Isermann: He Will Keep You in Stitches
  • View
  • Sean Landers “Thought Bubble” at Regen Projects
  • View
  • Sue Spaid: Defying Recessions, Riots and Disasters
  • View